Ophiuchus
– the Medicine Man
In the past few years more professionals have come
forward to share a truth that, for many people, proves difficult to swallow.
One such authority is Dr. Richard Horton, the current editor-in-chief of the Lancet – considered to be one of the
most well respected peer-reviewed medical journals in the world.Dr. Horton
recently published a statement declaring that a lot of published research is in
fact unreliable at best, if not completely false. May 16 http://bit.ly/1AgfKnS
On May 19th
Mercury went retrograde in Gemini while square Neptune. Eileen Nauman writes “When
Mercury goes retrograde , it starts outing lies and liars too” [1]. Neptune is
also the symbol of what is fake. Mercury-Neptune hides facts (remains silent),
invents facts or simply misunderstands the information and is confused. Lying
with a Mercury-Neptune is easy and is done by giving misty information or by
'pretending' facts [2].
A chart
drawn for the Mercury station retrograde on May 19th at London from
where Lancet is published is shown here.
Notice that stellium of Sun, Mars, Moon and Mercury in the third house is
opposite Saturn and square Neptune on the Ascendant. The third house [3] rules
magazines, publications, literature, periodicals etc. and by association their
editors so that it is no surprise that the editor of Lancet has come out with
the truth about the publication.
But why a
medical journal? A hint of that is
contained in the stars that conjoin Saturn. The Serpent and Scorpion, both
denizens of the dark, together with prowling Lupus dominate these longitudes,
barely held in check by struggling Ophiuchus, the medicine man, and the law’s
great Scales of Libra. There is a direct conflict between the truth seeking
Sagittarius and the dark Scorpion underlying him. Ethics, morality and
temperance are the primary challenges of these stars. Here the left hand of
shaman-healer Ophiuchus grasping the Serpent (a symbol of regeneration) offers hope
of renewal, healing and reconciliation[4].
[4] Secrets
of the Ancient Skies; Diana K. Rosenberg (v.2, p. 270-73)
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